I used to teach French and German at secondary level. Then I had children of my own. When I went back to teaching, my career had morphed into a version of itself where the people I taught had runny noses, could not stay on their seats for an entire lesson because they had too many important things to say to you/show you/sing about and because they expected to sit on the carpet to listen to you anyway, not at desks.
Have you ever found yourself marking the same pupil responses over and over? You asked them to be creative; you asked them to use their imagination. Instead, they regurgitate countless clichés onto their pages, leaving you wishing you hadn’t bothered.
“The sky was blue.”
“Really?” I thought, as I read this for the thirty-second time. Now, I get that the sky is blue, but it can be so much more. Vocabulary can be a sticking point when it comes to creativity. You can only create using the knowledge that you have. Therefore, if you have a limited vocabulary to begin with, chances are that the sky will remain blue and your creative writing will remain dull. I had two problems that I wanted to tackle that week. My classroom was as dull as the pupils’ writing - could I kill two birds with one stone?
The solution came during a discussion with our specific educational needs expert, classroom assistant Lisa Heart. As a fan of Vincent Van Gogh, she was leafing through one of his books and explaining to me how she loved his descriptions of colour.
“Theo, what a great thing tone and colour are! And anyone who doesn’t acquire a feeling for it, how far removed from life he will remain!” - Vincent Van Gogh to his brother Theo
If only our pupils could describe colour like Vincent Van Gogh, we thought… and an idea sprang!
The set up
With Van Gogh as our inspiration, we wanted to create a classroom that inspired through colour. We wanted to create a room that felt like you were entering an art gallery. It should inspire conversation and ooze with rich vocabulary that would be easy to pick up and use. Lisa headed off to the local B&Q to gather every colour that the paint companies had to offer. She also worked on creating mini colour charts that included gradients of the main colour palletes linked to objects and feelings. We collaborated to create our classroom of colour, complete with images for stimulation, colourful materials as a talking point and examples of writing that went way beyond “The sky is blue.”
Standing at the classroom door, I held a box full of pebbles. On the board was the question: “What colour is your pebble?”
Each child was handed a pebble as they entered the room and asked to consider their starting question. When I took in their responses, they consisted of grey, black and brown. How inspiring!
On each desk was a colour chart card. I asked the children to take hold of these. They had 30 seconds to write down the colour on the card before passing it on and writing down the next colour again and again. Their pages began filling up with words like ruby, sapphire, dazzling, powder, opaque and so on. After a few minutes, I asked them to stop and compare the colours on their pages to the colours they had chosen for their pebbles. They could see the difference. They recognised the need to gather more vocabulary for their colours. Stage one was complete.
To see how real writers used colour, the children explored different stories, plays and, of course, the letters of Van Gogh. How did other writers use colour in their work? They experimented with images that we found online and tried out the new vocabulary gathered from the colour charts. It was important to allow the children freedom to explore, but equally as important to critique their creations.
Some children had produced wonderful descriptions: “The opaque water shimmered a silvery sheen against the coral moon.” Others needed work: “The so snazzy, antique gold was pinky purple in the blue light.” Some had thrown the whole paint pallet in without consideration of the effect upon readers. By listening to each other’s descriptions and exploring the effect that it had on us as listeners, we were able to develop some special and unique sentences.
Practice, practice, practice
At least once a week, we would have a go at describing different images as a starter to our lessons. Success came when they began asking me if they could get out of their seats to use the walls. They would get handfuls of colour charts to choose appropriate vocabulary for their descriptions. They would read the examples and use them to form their own sentences and I even found adaptations (not copies) of Van Gogh’s work in their own writing. If we had only one colour lesson and the colours had gone back into a box, never to be used again, we would not have had as much success as we did. We had to practice!
About one month after creating the colour room, I once again gave every child a pebble asking, what colour is your pebble? The responses this time were astounding. Those children could work for Dulux! They had stopped seeing the obvious first answer and were now drawing upon a much richer vocabulary to describe the everyday. The vocabulary was not limited to their writing either. The colour room inspired conversations about the colour of characters’ moods in novels, choices made by Shakespeare to characterise through colour and exploring how writers used colours differently.
The colour room was a platform for accelerating creativity through sparking conversation, practising new vocabulary regularly and creating a safe space to experiment and explore. Collaborating to create a space that allowed creativity to grow was a joy! The next time you read the words, the sky is blue… look up at your classroom walls and ask yourself, could you collaborate to create a colour room that inspires? We did and we loved it!
Want to receive cutting-edge insights from leading educators each week? Sign up to our Community Update and be part of the action!
“What is the one thing you have all done without thinking about it - without questioning why you are doing it?”
This is the question Andy Daly-Smith, a senior lecturer at Leeds Beckett University, asks the 40+ school leaders in the room. There are various responses, some more sensible than others, till the answer, “sitting down” is offered.
LEGO Education is the latest company to announce its support for the Year of Engineering, joining the likes of Apple and the BBC along with more than 1,400 other businesses, charities, schools and colleges. The Year of Engineering, which was announced in November 2017, is a year-long government campaign which celebrates the world of engineering. The initiative aims to highlight how engineering affects every aspect of our lives; from spaceships and ice skates to the bubbles in chocolate and the design of cars, it’s everywhere!
Saturday 17th March saw Primary teachers from across the UK head to the beautiful Medlock Primary School in Manchester for one of world’s finest education events: Primary Rocks Live. The sold-out (in under five minutes!) gathering’s attendees enjoyed 24 workshops, two keynotes, a live-streamed performance from the Teachers Rock Youth Choir, and ice cream.
If you’re looking for an inspirational and educational school trip, you might not know that vertical wind tunnels provide the perfect opportunity to engage your class in STEM topics with a thrilling, hands-on learning experience!
“Teachers warn learning through play can lead to pupil disruption” was the title of an article printed by a Scottish newspaper in January this year. The article cited a recent report which had shown that some teachers in Scotland were worried about increasingly poor behaviour within classrooms when engaging in active learning.
In August 2017, BBC Two aired a two-part series looking at the role of gender equality in Primary education, with much of the action taking place at Lanesend Primary School on the Isle of Wight. Here, IMS editor James Cain and programme star (and Lanesend leader of learning for Years 3 and 4) Graham Andre discuss how attitudes towards gender have changed at the school.